John Taylor Arms American (1887-1953) Bark "Metis" Making Harbor 12 x 18 in.
Etching and aquatint in color, 1923, edition 200. Fletcher 133.
Signed in pencil.
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George Overbury Pop Hart American (1868-1933) The Corral or Mexican Indians and Animals Resting 12-1/4 x 16-3/4 in.
Lithograph colored by hand, 1928, edition 5/7. Newark Museum 226.
Signed and dated on the stone; signed and numbered in pencil. A fine example
of Hart's innovative approach to obtain more painterly effects in his prints,
simulating charcoal lines and using broad tones of earth colors.
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Harry Shokler American (1896-1978) Promenade, Brooklyn Heights 10 x 15-1/4 in.
Screen print, 1943, edition limited but unknown. Signed in ink, lower right.
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T. F. Simon Czech (1877-1942) The Japanese Gates of Tori in Kyoto, Winter 14-3/4 x 11-5/8 in.
Soft-ground etching and aquatint in color, 1928, edition 39/50.
Baker 262. Novak 478. Signed and numbered in pencil. Printed on laid paper with
watermark, Tash and a circular motif.
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T. F. Simon Czech (1877-1942) Morning at Notre Dame, Paris 12-1/4 x 15-3/4 in.
Soft-ground etching and aquatint in color, 1928, edition 333/350.
Baker 266. Novak 483. Published by Les Graveurs Modernes, Paris. Signed
and numbered in pencil.
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Lester George Hornby American (1882-1956) Patching a Transport 13 x 9 in.
Water color and pencil on paper, c.1918, signed in pencil, lower right, with
notation, "St.Nazaire-1918." Framed.
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