egon and joan teichert



Emanuele Brugnoli

Emanuele Brugnoli was born in Bologne, Italy, in 1859, and moved to Venice in 1912. He was an instructor at the Academy of Fine Arts in Venice and the founder of the school of etching. Brugnoli followed the vision of his friend, Fabio Mauroner, in recording the architecture and life of the Venetians in Venice. Both, offered a more panoramic view of the people in the squares and on the canals. These views were different than other artists such as Whistler, Roth, and Arms, who recorded Venice in a picturesque manner without the day-to-day activities of the people. Brugnoli is well known in Italy and Europe, but not in America, however a recent exhibit at the Italian Embassy in Washington, D.C, during March, 2011, was the first time showing the Venetian works of Emanuele Brugnoli. Fabio Mauroner, also included in the exhibit, had not shown in the United States for over 70 years. Reference: Dr. Eric Denker, curator of the above exhibit and author of the brochure, The Heirs of Canaletto: Fabio Mauroner and Emanuele Brugnoli in Venice, 1905-1940, and the catalogue, Reflections and Undercurrents: Ernest Roth and Printmakers in Venice, 1900-1940.



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Emanuele Brugnoli

Italian (1859-1944)
Piazza San Marco
7 x 9 in.

Etching, c.1930, edition limited but unknown. Signed in the plate, lower right. Signed and titled in pencil. In excellent condition, printed on wove paper with large margins, probably full.


$450.
Piazza San Marco



Emanuele Brugnoli

Italian (1859--1944)
Piazzetta San Marco e Palazzo Ducale
11-7/8 x 16-5/8 in.

Etching, c.1925, edition limited but unknown. Signed and titled in pencil. Printed on wove paper with large margins. A missing patch in the left margin, professionally repaired, well away from the image. A beautiful etching of Venice done in the fashion of Canaletto and Mauroner.


$850.
Piazzetta San Marco e Palazzo Ducale



Emanuele Brugnoli

Italian (1859-1944)
Canale y Ponte delle Lote
11 x 6-5/8 in.

Etching, c.1930, edition limited but unknown. Signed in the plate, lower right; signed and titled in pencil. In excellent condition, printed on wove paper with large margins, probably full. Sheet size: 17-1/8 x 11-5/8 in. A Venetian canal scene with a lotus tree on the left.


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Canale y Ponte delle Lote



Emanuele Brugnoli

Italian (1859-1944)
San Simeone
7 x 9 in.

Etching, c.1930, edition limited but unknown. Signed in the plate, lower right; signed and titled in pencil. Condition is excellent, other than slight rippling of the paper in the extreme outer regions of the upper and lower margins. Printed on wove paper with full margins. Sheet size: 13-3/4 x 16-1/2 in. The scene is from the Grand Canal with the Church of San Simeone at the extreme left of the etching.


$350.
San Simeone



Emanuele Brugnoli

Italian (1859-1944)
Palazzo Ducale e Piazzetta
7-1/2 x 9-3/4 in.

Etching, c.1930, edition limited but unknown. Signed in the plate, lower right. Signed and titled in pencil. In excellent condition, printed on wove paper with large margins, probably full.


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Palazzo Ducale e Piazzetta



Emanuele Brugnoli

Italian (1859-1944)
Campo Santa Marco Formosa
9-1/2 x 12-1/2 in.

Etching, c.1930, edition limited but unknown. Signed in the plate, lower right. Signed and titled in pencil. In excellent condition, printed on wove paper with large margins.


$850.
Campo Santa Marco Formosa



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