egon and joan teichert



Luigi Lucioni

Lucioni was born, 1900, in Malnate, Italy, a small town in the Alps near the border of Switzerland. He immigrated to the United States in 1911, and eventually studied etching with William Auerbach Levy at the National Academy of Art. While painting in Vermont, Lucioni purchased a farm house near Manchester, and converted the barn into his studio, where he spent his summers, only returning to New York for the winters. The Vermont landscape captivated the artist with its barns, silos, and trees, which he portrays with respect and admiration in his paintings and etchings. Besides being a distinguished artist, Lucioni, was also a student and lover of the opera.



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Luigi Lucioni

Italian-American (1900-1988)
The Big Willow
10-1/4 x 13-1/4 in.

Etching, 1946, edition 250. Embury 96. Signed and dated in the plate, lower right; signed in pencil.


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The Big Willow



Luigi Lucioni

Italian-American (1900-1988)
Theme in White or White Motif
8-1/2 x 11-1/2 in.

Etching, 1954, edition 100. Embury 125. Signed in the plate, lower left; signed and dated in pencil. Notation in pencil, "To Bernard Peyeon-Merry Christmas-Luigi," Commissioned by the Prarie Print Makers, 1955, for their 25th publication. Full margins.


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Theme in White or White Motif



Luigi Lucioni

Italian-American (1900-1988)
Barns and Sky
4-1/2 x 6 in.

Etching, 1965, edition about 50. Embury 144. Signed and dated in the plate, lower left; signed and dated in pencil. Created as a Christmas card.


$250.
Barns and Sky



Luigi Lucioni

Italian-American (1900-1988)
George Hipwood
7 x 9 in.

Drypoint, 1926, edition proofs only. Embury 10. Signed and dated in pencil.


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George Hipwood



Luigi Lucioni

Italian-American (1900-1988)
Tree Rhythm
11-3/4 x 9-3/4 in

Etching, 1953, edition 250. Embury 121. Signed in the plate, lower left, and in pencil. Full margins.


$350.
Tree Rhythm



Luigi Lucioni

Italian-American (1900-1988)
Birches and Beyond
10-3/8 x 8-7/8 in

Etching, 1974, edition 130/250. Embury 155. Signed and numbered in pencil . Full margins.


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Birches and Beyond



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