egon and joan teichert



Troy Kinney

Style and beauty are the essence of Troy Kinney's art. His devotion to the dance , on stage or in fantasy during the early twentieth century acclaim him as a superb chronicler of the ballet. He displays a sense of choreography with an etching needle, showing swirling movement and airiness in the dance. Some of his well known subjects from the period are Pavlova, Nijinsky, Bohm, and Genee, all captured in physical movement on paper. Born in Falls Village, Connecticut, Kinney studied at Yale University and the Art Institute of Chicago. He was an ardent advocate of the dance, contributing articles to many publications and co-authored the book, The Dance, Its Place in Art and Life. Kinney's works are in the collection of the Cleveland Museum, Brooklyn Museum, New York Public Library, Yale University, and other institutions.



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Troy Kinney

American (1871-1938)
Autumn Leaves
6-3/4 x 10 in.

Etching, 1928, edition 200. Kinney 48. Signed in pencil. Selected for Fine Prints of the Year, 1928, pl. 81, and Contemporary American Etching, 1931, pl.46.


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Autumn Leaves



Troy Kinney

American (1871-1938)
Moonlight
7-5/8 x 11 in.

Etching, 1925, edition 125. Kinney 45. Signed in pencil. Full margins. Illustrated in American Etchers: Troy Kinney, Vol. IX. The Crafton Collection, 1930, pl.1, and A History of British and American Etching, James Laver, 1929, pl.67.


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Moonlight



Troy Kinney

American (1871-1938)
Zephyr
11 x 11 in.

Etching and drypoint, 1920, edition 22/120. Signed and numbered in pencil. Illustrated in The Print Collector's Quarterly, Oct. 1938, Vol.25, no.3, p.264.


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Zephyr



Troy Kinney

American (1871-1938)
Arcadia
8 x 7 in.

Etching, 1921, edition 170. Kinney 33. Signed in pencil. In good condition printed on wove paper with full margins. Illustrated in The Print Collector's Quarterly, Vol.25, October, 1938, p.280.


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Arcadia



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