Rockwell Kent American (1882-1971) And Now Where 13 x 9-3/8 in.
Lithograph, 1936, from the unsigned edition published by the American Artists Group with their seal on the verso, lower left corner. Burne Jones 110. Selected for Fine Prints of the Year, 1936, pl.97. Illustrated in America Today, 1936, pl.100. Printed on wove paper with a partial watermark, BFK. Full margins.
$500. |
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Chet Harmon LaMore American (1908-1980) Open Hearth Furnace 12 x 12-1/8 in.
Lithograph, 1936, edition 31/35. Signed and numbered in pencil. Full margins.
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Joseph LeBoit American (1907-2002) Society Burial 14 x 11-3/8 in.
Etching and aquatint, c.1935-1943, edition about 25. Signed and titled in pencil. Published by the "Federal Art Project, NYC, WPA," with their rubber stamp in the lower margin. Printed on wove paper with a watermark, France. An excellent impression in good condition with full margins, deckle edges all around. Sheet size: 21 x 16 in.
$1000. |
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Joseph LeBoit American (1907-2002) Country Village 10-1/2 x 14-7/8 in.
Lithograph, c.1935-1943, edition about 25. Signed and titled in pencil. Published by the "Federal Art Project, NYC, WPA." with their rubber stamp in the lower margin. Printed on wove paper with a watermark, France. In good condition with full margins. Sheet size: 16 x 22-3/4 in.
$800. |
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Nan Lurie American (1910-1980) Blind Man 16-1/2 x 14 in.
Lithograph, c.1935-43, edition about 25. Signed and titled in pencil. Rubber stamp of the "Federal Art Project NYC WPA," Printed on wove paper with a watermark, Rives. In good condition with full margins. Sheet size: 25 x 15-7/8 in.
$500. |
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Nan Lurie American (1910-1980) Subway Bootblack 13-3/4 x 17-3/4 in.
Lithograph, c.1935-42, edition about 25. Signed and titled in pencil. Full margins. Published by the Federal Art Project, WPA, NY. Illustrated in Subway City, Michael W. Brooks, 1997, pl.61.
Provenance: Meyer Family Collection, New York Federal Art Project.
This image was part of the WPA artists movement to show life in the New York City subways. The leering face on the poster and the dark shadows of the station project a somewhat eerie feeling in this underground passage.
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